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Peter Scudamore: What John Francome did has to be one of the greatest sporting gestures of all time
Former eight-time Champion Jockey Peter Scudamore vocalises the meaning of Mark Boylan’s ‘A Song For Campbell’ on the latest episode of new podcast Disc Jockeys, produced by creative marketing agency Square in the Air.
The new weekly show sees host Chris Barnett chat to some of the biggest names in racing as they look back on the key moments in their careers through five carefully selected musical tracks, all in aid of the Injured Jockeys Fund.
Square in the Air will donate £250 per episode to the Injured Jockeys Fund on behalf of each guest and are encouraging listeners to also pledge support. Each show will also be available on Spotify.
Listen via Spotify: https://open.spotify.com/episode/2iQCJc7OpdX9ETe0BrT5ar?si=8e3a71b9858349c8
Donate via JustGiving: https://www.justgiving.com/page/sitadiscjockeys
EPISODE 4: PETER SCUDAMORE
This episode brought back some memories for Peter Scudamore, including what was and still is a tough and saddening moment in his life, losing stable jockey and friend Campbell Gillies. Furthermore, how Mark Boylan’s “extraordinary” ‘A Song For Campbell’ has brought some sort of joy from such a dark point.
“If Cheltenham Festival was a song, it would be Mark Boylan, A Song for Campbell,” said Scudamore. “It was a song written about someone and something that happened in my life that I will never get over – young Campbell Gillies.
“He can’t have been much older than 18 when Mark wrote the song, and it’s such an extraordinary song. Although it is about this boy, this moment in time, it has key connotations to Cheltenham Festival and what the emotion of Cheltenham is. It’s what we admire in people, it’s the honesty and bravery that Campbell also possessed.
“It is such a superbly-written song, I don’t think Mark knew Campbell, but he must have spoken to a lot of people he mentions. It’s an emotional song and it reflects the bravery of the jockeys and horses, I love it.”
Francome stopping riding to share record was a very poignant moment
Having ridden over 1,600 winners, including 13 Cheltenham Festival victories and having won the Champion Jockey title eight times, Scudamore revealed that the most poignant moment in his career was when becoming joint Champion Jockey for the first time when John Francome decided to stop riding to ensure they would finish level for the tally of wins.
“A very poignant moment is my career is when I was joint Champion Jockey in 1981/82 with John Francome. I broke my arm at Southwell which forced me to the sidelines in the closing stages of the season.
“John actually called my father and he expressed how, if he were to draw level with me on the tally of wins, then he was going to stop riding to share this title with me. I was 15 to 20 winners in front of him at the time and he had no reason to do what he did. It has to be considered one of the greatest sporting gestures of all time.
“He’s a great man and, funnily enough, he did say to me in years to come that he thought that was my one chance at Champion Jockey. He didn’t think I’d go on to win as many as I did!”
Injured Jockeys Fund very close to my heart
With the release of each episode of Disc Jockeys, Square in the Air will donate £250 to the Injured Jockeys Fund and it’s a charity that Scudamore and his family are a big part of.
“I’m immensely proud to be a part of the Injured Jockeys Fund as it goes back in my family a long way. My father used to collect donations in a blanket at the cricket for the injured jockeys.
“Lord John Oaksey had a massive influence on the growth of the charity, he’s probably one of the greatest men ever in National Hunt racing. I had the privilege of sitting as a director of the Injured Jockeys fund. It’s a truly magnificent charity – it’s the best sporting charity with the things they do and the aid they give.”
Latest News
From ‘Mummyverse’ to Crash Games: Belatra Reviews a Landmark 2025
Editor’s Take
Why this matters: Belatra has been a steady hand in the slots world for a long time, but 2025 marked a distinct shift in strategy. By entering the Crash vertical with Goose Boom Bang and winning big at SiGMA Africa, the studio is clearly pivoting to capture the high-growth, high-frequency players in emerging markets. They are no longer just a “classic slots” developer; they are diversifying the portfolio to ensure relevance in regions like LatAm and Africa.
The Full Story
Belatra Games, the specialist online slots developer, has issued a strategic review of its 2025 operations, celebrating a 12-month period defined by entry into new game verticals, significant franchise expansion, and high-profile industry recognition.
The year was characterized by a dual strategy: deepening engagement in established markets while aggressively expanding its content portfolio to suit local preferences in emerging territories.
Portfolio Evolution: Crash and Battles 2025 saw Belatra move beyond its traditional slot roots. The company made its debut in the high-demand Crash game vertical with the launch of Goose Boom Bang, a title designed to tap into the fast-paced gameplay preference of younger demographics.
Additionally, the studio introduced a fresh game concept with the launch of Battles, a new format unveiled for the first time in 2025, with further development planned for 2026.
The ‘Mummyverse’ Expands For fans of classic slots, the highlight of the year was the aggressive expansion of the Mummyverse. Belatra nearly doubled the size of this franchise over the year, making it the most extensive game universe in their entire catalog.
The developer also focused on B2B localization, releasing a number of exclusive bespoke games created specifically for selected operator partners to meet specific local market tastes.
Awards and Recognition The company’s strategic shifts were validated by industry accolades. Belatra secured over 30 nominations throughout the year, with standout wins including:
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Best Slot Provider (awarded by BitStarz).
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Most Played Game of 2025 for Make It Gold at the SiGMA Africa Awards.
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Player’s Pick Award.
Management Commentary Misha Voinich, Head of Business Development at Belatra, commented on the studio’s momentum:
“This year has truly defined who we are as a studio – ambitious, creative and focused on building long-term partnerships. We’ve expanded our universes, launched new ones and entered exciting new markets that will all help us carry this momentum into the New Year.”
The post From ‘Mummyverse’ to Crash Games: Belatra Reviews a Landmark 2025 appeared first on Gaming and Gambling Industry Newsroom.
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‘Chaos and Soul’: Ebaka Games Plots Global Expansion After Viral Launch
Editor’s Take
Why this matters: The “Instant Game” vertical (Crash, Plinko, Mines) is becoming crowded, but Ebaka Games is cutting through the noise with a distinct brand personality. By securing BMM Testlabs certification so quickly after launch, they are signaling to Tier 1 operators that despite their “chaotic” marketing vibe, the math underneath is solid and compliant. The backing of industry veteran Dmitry Belianin also adds immediate commercial credibility to the startup.
The Full Story
Ebaka Games, the fledgling studio that promises to bring “chaos and soul” to the iGaming sector, has outlined an aggressive growth strategy for 2026 following a landmark launch period in late 2025.
The studio, which officially debuted in November, reports that its initial rollout reached more than five million people worldwide. The launch saw its portfolio go live with the operator Menace, serving as the initial testbed for its mechanics and “Ebaka modes.”
The Product: Instant Games with Personality Ebaka is bypassing traditional slots to focus on the high-growth vertical of fast-paced, instant-win games. Their initial lineup includes:
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Plinko
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Mines
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Tower
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Limbo
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Crash
Differentiation is achieved through unique mascots and signature gameplay tweaks designed to offer high win potential and distinct visual identities, moving away from the generic interfaces often found in this genre.
Regulatory Milestone Crucially for its 2026 roadmap, Ebaka Games has confirmed it has secured certification from BMM Testlabs. This accreditation validates the fairness and integrity of its RNG (Random Number Generator) and game engines, removing a major barrier to entry for regulated markets. With this certification in hand, the studio plans to launch with a number of “major brands” in the coming year.
Management Commentary Vitalii Zalievskyi, CEO of Ebaka Games, commented on the studio’s unorthodox approach:
“It’s only been a few weeks since we first introduced Ebaka Games to the world. The feedback has been breathtaking, and it vindicates the decision for us to take a different path to the rest of the industry. You don’t need huge marketing budgets to grab people’s attention if you are building something truly innovative.”
Industry Backing The studio describes itself as being “created by players for players” but boasts significant industry firepower in its corner. The team includes Dmitry Belianin, a well-known figure in the sector who is the co-founder of Blask and Menace, as well as Managing Partner at Already Media.
The post ‘Chaos and Soul’: Ebaka Games Plots Global Expansion After Viral Launch appeared first on Gaming and Gambling Industry Newsroom.
Latest News
Racing Meets Nightlife: SBK Backs ARC’s New ‘Friday Night Live’ Series
Editor’s Take
Why this matters: British racing has a well-documented demographic problem; its core audience is aging. “Friday Night Live” is a direct attempt to fix this by blending high-stakes racing with the “experience economy” (DJs, nightlife vibes) that appeals to Gen Z and Millennials. Bringing SBK on board—a mobile-first, app-only sportsbook—is a perfect demographic fit, while the Racing Post adds the necessary credibility to ensure the actual racing product remains the focus.
The Full Story
Arena Racing Company (ARC) has unveiled the strategic commercial lineup for its upcoming Friday Night Live series, confirming SBK as the Exclusive Betting Partner and The Racing Post as the Official Media Partner.
Set to launch in January 2026, Friday Night Live is a new initiative created in collaboration with youth-focused events company INVADES. The series is designed to overhaul the traditional race day experience, featuring fast-paced fixtures under floodlights, DJ sets, and significant entertainment elements sandwiched between races.
The Commercial Deal
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SBK: As the exclusive betting partner, the Smarkets-owned sportsbook will take naming rights and on-course branding for all 35 races. Crucially, these races will be broadcast live on mainstream television via ITV Racing as well as Sky Sports Research.
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The Racing Post: As the Official Media Partner, the publication will provide content, coverage, and promotion across its digital platforms, aiming to bridge the gap between established racing purists and the new audience ARC hopes to attract.
A High-Stakes Experiment The series is not just a marketing exercise; it carries serious sporting weight. Each of the five scheduled nights will feature over £200,000 in prize money. The fixtures will rotate across three of ARC’s all-weather tracks: Wolverhampton, Newcastle, and Southwell.
Management Commentary David Leyden Dunbar, Group Director of Commercial Strategy at ARC, was clear about the target audience:
“We have been very clear that one of the aims of Friday Night Live is to engage the next generation of racing fans… Both [partners] have shown real enthusiasm to work with us… as well as using the platform that these fixtures will offer them to also engage with more established racing and sports fans.”
Adam Baylis, Marketing Director at SBK, added:
“Friday Night Live [is] a fresh and engaging concept that brings a new energy to British racing. SBK has always been built around sport… our focus is on enhancing the live race day experience in a fun, social and responsible way.”
The 2026 Schedule The series kicks off immediately in the new year:
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9th Jan: Wolverhampton
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6th Feb: Newcastle
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20th Feb: Southwell
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20th March: Wolverhampton
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27th March: Newcastle
The post Racing Meets Nightlife: SBK Backs ARC’s New ‘Friday Night Live’ Series appeared first on Gaming and Gambling Industry Newsroom.
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