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Evoplay shifts to a multi-studio production model with Evoplay Studios

New structure consolidates tech and go-to-market capabilities to scale output and localisation; Mystic Alaska and Gems of Ra: 3 Pots are live.

Evoplay has expanded its operating model into a multi-studio production ecosystem, bringing multiple creative teams under a single technology and distribution foundation as it targets scaled content delivery and faster localisation.

The company said the new approach formalises its “next stage” of development, using its existing strengths in technology, distribution and market intelligence as shared infrastructure for multiple teams to build on at the same time.

At the centre of the shift is Evoplay Studios, a framework designed to give teams creative autonomy while using the same technology stack, data infrastructure and go-to-market processes. Evoplay said the model is intended to increase production capacity without compromising consistency.

Initial titles developed within Evoplay Studios, including Mystic Alaska and Gems of Ra: 3 Pots, are already live, with additional releases in development “across multiple content verticals,” according to the company.

Ivan Kravchuk, CEO at Evoplay, said: “Evolving into a production ecosystem marks a pivotal step in Evoplay’s growth strategy. By structuring the business around a unified yet flexible framework, we are able to scale our content output while continuing to deliver the quality and innovation that define our portfolio.

“By housing multiple teams together within a unified structure, we can move faster, cover more ground, and serve operators with a broader, more diverse portfolio. This approach gives us the flexibility to explore new creative directions while operating on a strong, shared foundation that ensures consistency, efficiency, and long-term scalability.”

George Miller began his career in content marketing before joining the HIPTHER team in 2016 as an Editor and Content Manager. His ability to distill complex regulatory data into newsworthy B2B content led to his appointment as Head of Content in 2017.…

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